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Kelly frames Lockhart at a distance in mirrors and door frames throughout “King Cobra,” which gets across how he is the object of desire both to Stephen and to himself. We see young Sean Lockhart (Garrett Clayton, “The Fosters”) meet up with cultured, melancholy gay porn film producer Stephen (Slater), who immediately asks Lockhart, “Do you like Chopin?” Kelly (“I Am Michael”) sets up two separate stories and cuts back and forth between them until they finally collide, with tragic results.
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“King Cobra” is as in-your-face explicit a gay movie as has ever been made with recognizable male actors, including producer James Franco, who predictably takes the lion’s share of the most physical sex scenes, and Christian Slater. Kelly’s work is outstanding, as he manages to control the most seemingly uncontrollable material while exploring many different facets of the case. I scored this three stars for the inclusion of an amazing Tori Amos song, which coupled with a better film, could have been massively poignant.Movies don’t get much juicier, funnier, creepier, sadder, or smarter than writer-director Justin Kelly‘s “King Cobra,” which dramatizes a real-life murder case set in the world of gay porn. In the right hands, it could have been a very relevant film.
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I can't even recommend you see this, which sort of breaks my heart because of everything I wanted it to be, but it falls short on every single level and becomes a long winded, painfully self important and unnecessary film. The responsibility here falls squarely on the shoulder of Director Justin Kelly- because he co-wrote the disastrous screenplay as well. For that, there is no excuse with a powerhouse producer like Gus Van Zandt seasoned actors Quinto and Emma Roberts and even a blink-and-you-miss-it cameo by Daryl Hannah. A student desperate to make an important film and be taken seriously. Frankly, the film felt more like a student film. Any impact the film could have is absolutely lost because of the ridiculously slug-like pacing and poorly constructed exchanges. Director Justin Kelly failed to make the heavy content move at an acceptable pace and I found myself wanting desperately to fast forward 20 minutes, which I did, and realized I didn't miss anything except Franco wandering around open fields in slow motion. It came across as quite immature and, even worse, amateur. The construct was there the dialog was broken and unnatural. It could have been an Oscar winner, but who can take James Franco seriously anymore in subjects that require sensitivity and respect for LGBT people in general? The film also suffered from a devastatingly bad script. and Franco did the film to continue dangling himself in front of gay men. But we can presume Quinto did it because it was an incredibly important story. Quinto is both deeply respected as an actor and doesn't have to provoke a response by portraying himself as eye- candy or demanding people question his sexuality for unnecessary attention, he is an actor, and he is masterful. however, his inclusion was salvaged when I saw the enigmatic and vastly talented Zachary Quinto was involved. While Franco is a brilliant actor, his ongoing public gay-baiting and exploitation of the gay community have reduced him to a mere instagram underwear model. I was apprehensive about James Franco's participation. The subject matter is not one that has been sensibly explored from an authentic and non- bias perspective before. I really thought I would love I AM MICHAEL.